Kari and Maureen

Canadian actress. Matchett, who was originally born in Spalding in Saskatchewan, commenced her career in theatre when she moved to Ontario. In the 1990s, she made her first appearance in Canadian television. After moving into the United States she appeared in The Secrets of Nero Wolfe Invasion 24 Hours Studio 60 at Sunset Strip Ambulance Earth. Sunset Strip Ambulance Earth. In the series, she played Last Conflict. Her role as a character in The Department of Wet Cases, a Canadian television drama series was recognized with a Gemini Award. In addition, she played the former wife of one the main characters of Impact for a number of seasons. In the TV series Covert Operations, she plays the role of Joan Campbell. Cube 2 was a Canadian feature film from 2002. She also starred in Angel Eyes Boys with Broomsticks The Tree of Life, Boys with Broomsticks, and Hypercube. Divorced. In June 2013 her first child was born - the child of Jude Lyon Matchett. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) attracted attention for her beautiful beauty, dazzling red-hair and moving portrayals. She charmed her audiences, no matter if she was rescued from a Gallows scene in the film The Hunchback of Notre Dame by Charles Laughton (1939), became a lover of Walter Pidgeon beneath a coal-blackened sky (How green was my valley) in the film with Natalie Wood or matched wits in The Quiet Man with John Wayne. Maureen O'Hara by Aubrey Malone is the only full-length about the screen legend known as"Queen of Technicolor.. Aubrey Malone uses new information from Irish Film Institute notes on the productions, as well as information from old films, film journals, as well as fan publications. The book follows the actress as she grows up in Dublin and then reaches the height of her fame in Hollywood. Malone explores the actresses relationship with her frequent collaborator John Wayne as well as the friendship she shared with John Ford. Malone addresses the question of whether or not O'Hara was feminist or antifeminist. Though she was an icon of film's golden era, her penchant for privacy and tendency to make public declarations which contradicted her own personal beliefs has made her a mystery. This new biography gives an opportunity to look at the woman behind the iconic character of her day.